Straw Dogs sums up SW UK sticks/ another one with Dennis Hopper and a violence choreography over a swimming pool maybe at night, can’t remember name of, was greatI've still only seen Bring me the Head of Alfredo Garcia and The Getaway, but those seem to be of his marginal films.
Reading Deluzes Cinema 2 and he pulls from this often, making the claim that the unreal images of european cinema are images of a past 'in general,' Frankenstein like formations of time from potentialities with no immediate recollection to place them too. Slightly different from (but not always) a psycho analytic dream-repression dynamic as it corresponds more generally to a characters loss of sensory motor function not always related to prior trauma, making time the primary 'actor' on screen in that the sequence of unreal events is our only insight into what they might signify.That thing on Bergsonian time I've pulled up a few times really made an impression on me,
Essentially, what you were and are now listening to was and is the entire Tangerine Dream album 'Zeit' ...but playing backwards, cut into segments, rearranged in a random order, overlapping and over-layering one another with subtle effects of phasing and reverb. It is both Zeit and UnZeit.
You can make an account for free, you dullard.you know we dont have access to jstor stop showing off
Stan, read this. You'll love it." ... if one wants to control a process, the best way of doing so is to subordinate the present to what is (still) called the 'future', since in these conditions the 'future' will be completely predetermined and the present itself will cease opening onto an uncertain and contingent 'afterwards'."
-- Jean-François Lyotard, Time Today Time Today on JSTOR
Jean-François Lyotard, Geoffrey Bennington, Rachel Bowlby, Time Today, Oxford Literary Review, Vol. 11, No. 1/2, Philosophical Encounters (1989), pp. 3-20www.jstor.org
You're right, totally up my alley.Stan, read this. You'll love it.
"It is often thought that if the economic system is led to behave in this way, it is because it is guided by the thirst for profit. And indeed, the use of scientific technologies in industrial production allows an increase in the quantities of surplus-value by saving on labour-time. Yet it seems that the 'ultimate' motor of this movement is not essentially of the order of human desire: it consists rather in the process of neg-entropy which appears to 'work' the cosmic area inhabited by the human race. One could go so far as to say that the desire for profit and wealth is no doubt nothing other than this process itself, inasmuch as it works upon the nervous centres of the human brain and is experienced directly by the human body."
@Clinamenic
To be clear, such an understanding is still part of the map, rather than assuming nature itself does have an agenda, beyond the provisional concerns of our intellectual pursuits.And my working understanding of the M.O. of nature is twofold
If I am ever in a position of political and/or mass media influence, this may be a technique I seek to employ with maximal transparency, arousing genuine existential faith rather than deceptively manipulating people, as the latter will eventually reap what it sows, i.e. creating your own demons is a liability timebomb." ... if one wants to control a process, the best way of doing so is to subordinate the present to what is (still) called the 'future', since in these conditions the 'future' will be completely predetermined and the present itself will cease opening onto an uncertain and contingent 'afterwards'."
-- Jean-François Lyotard, Time Today Time Today on JSTOR
Jean-François Lyotard, Geoffrey Bennington, Rachel Bowlby, Time Today, Oxford Literary Review, Vol. 11, No. 1/2, Philosophical Encounters (1989), pp. 3-20www.jstor.org