sus

Moderator
(1/100) Norah Jones, "Come Away With Me"

"As far back as I can remember..."

"In the beginning..."

"Much anticipated, but til this day undelivered..."

The way I always understood the difference between my parents' music taste was that Dad was up-tempo and Mom meant down-tempo. That said something about their personalities too, but the correspondence wasn't straightforward. It was more about balance between the music's energy and the person's—about music as supplement, rather than music as mirror.

My mom loved mellow singer-songwriters—Norah Jones, Natalie Merchant, Eric Bibb. My dad loved energetic, classic-rock type artists, like Dylan and Cash, with some trashy country on the side. They met in the middle over Celtic music. And that was about all they listened to.



“Come Away With Me” is the classic, but “Lonestar” reminds me of the sun peaking through to the side yard, warming the bricks. It's the album mom always pulled out on leisurely Saturday or Sunday mornings, after she'd gotten back from a run. Maybe dad had made pancakes earlier, or squeezed oranges from the tree in our yard. We lived in the old Mission orchard district, where the Spanish (or their indigenous slaves) planted all their fruit trees—so the neighborhood was full of figs and citrus.

And I’m eight or nine, sitting on the warm bricks as "Lone Star" plays—maybe it's top of the hour, and I can hear the church bells chiming down the block—and I'm setting up miniature plastic army men, which I've purchased with all my lawn-mowing money. They're just a centimeter tall, nothing like the usual, finger-length size, but that meant I could buy packs of 100 for a $2.99 at the Dollar Tree, where we sometimes stopped for school supplies on the way back from swim practice.



I bought dozens of those packs, thousands of figurines, and I’d spend all my weekend hours from ages 8ish to 10ish just setting them up anywhere with novel “terrain.” If we went to the beach, if we went camping, if he went to the park, I’d bring a backpack’s worth. The terrain provided the form for the drama: are they trying to capture the bluffs of a couch? Traversing the canyon of an irrigation ditch? Twigs became logs, mud-ruts trenches. From watching Star Wars: Revenge of the Sith, and reading my Civil War history books, and watching 1995’s Gettysburg I knew all about the value of the high ground. I dressed up as a Union soldier for Halloween three years in a row (3rd, 4th, and 5th grade). When I was 8 I wanted to be a five-star general; when I was 9 I wanted to be a lieutenant; when I was 10, I wanted to be a corporal or private, an enlisted man. I read obsessively from books my (US history teacher dad) brought home from work: about Lincoln's series of failed generals, about Longstreet’s defensive inclinations and Lee’s antiquated Napoleonic tactics, about the changes wrought by the invention of the Minié ball.

I'll include as honorary mention another of my mom's old favs, Eric Bibb's "When I Hear the Waves." I remember her sitting me down to the table once, telling me how much his voice/delivery moved her:

 

sus

Moderator
Lads we all experience music in different ways
That's right. Wild Greens has a great thread going on right now featuring many kinds of music which Dissensus users love—lotta pages of great stuff, really top stuff, you can get your moneys worth. This is more a kind of tourism. An opportunity to visit a foreign country of taste.
 

sus

Moderator
(2/100) Bob Dylan, “Ballad of a Thin Man”

I didn’t own any of my own records til middle school, and my parents’ rotation was pretty small—maybe a dozen or 18ish records over the years. Both of my parents are teachers; they got up early for school and graded late into the night, passing out on the couch or at the kitchen table in front of a pile of marked-up exams. So music was more utilitarian for them, something to use rather than a world to explore.

A lot of the rotation consisted of live records, the steady stream of stage banter and applause lending the house a certain immersive, social atmosphere. Cat Stevens' Majikat tour CD, Cash's Folsom Prison, Harry Chapin's Greatest Stories Live on the record player. Dylan almost exclusively meant Highway 61 Revisited; Highway 61 meant my dad was working in the yard. The music was energy to fuel the work, a stimulant for raking and weeding and shoveling compost. Still, I was always a bit surprised dad didn't want to branch out.

He never seemed to get tired of that record. When I go home for holiday, two decades later, it’s still the soundtrack to chores. When I was in college, I bought him some of the basement tapes plus Self-Portrait for Christmas, and tried to turn him onto 80s Dylan, but it never stuck. I think when my dad was a teen/young adult, he took the whole "Dylan goes Christian" phase pretty hard, it's all contaminated for him now.



I’m picking “Thin Man” as my entry here, because it always struck me with how strange it was, musically and lyrically and atmospherically. But it sticks out; if you want something representative, the sound that reminds me of dad doing yard work, it’s that opening whistle on the title track, “Highway 61 Revisited”:



[Edited for UK-viewable version of "Thin Man"]
 
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wild greens

Well-known member
If i can offer some advice, make sure you find youtube videos that aren't "youtube music premium," like Thin Man is here

It will have been uploaded by an erratic character or outside the music sytem algorithm, that's what you need, as i can't listen to that link
 

sus

Moderator
If i can offer some advice, make sure you find youtube videos that aren't "youtube music premium," like Thin Man is here

It will have been uploaded by an erratic character or outside the music sytem algorithm, that's what you need, as i can't listen to that link
oh thank you, weird, it renders just fine for me. I'll try hooking up a UK VPN and keeping an eye out for the premium flag
 
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