Fortuitously, the demand for writing and art suitable for a broad audience increased as education became more accessible and literacy grew in the 19th century. Many young writers capitalized on this opportunity and turned to the increasingly popular newspapers for income. Bohemian writers such as Gautier, de Nerval, and Borel contributed serialized novels, short stories, reviews of plays, and other creative works to newspapers and published their own journals on art, literature, and politics. Likewise, bohemian playwrights such as Henri Murger and his circle of impoverished writers, who were known as the “water drinkers” of Café Momus, produced scripts to entertain the growing population of bourgeois theatergoers (Seigel 1986). These writers filled an existing need with their writings on politics and culture at large while creating a niche for themselves with accounts of their titillating bohemian adventures, readily devoured by both bourgeois and bohemian audiences.