Ahhh..don't tell me Burial produced it.
Hahaha... its a burial remix yes...
Ahhh..don't tell me Burial produced it.
Ok, but what about sounds that have been held at a constant but low level of appreciation? I think the time thing is irrelevant- its about the mass of support within the underground perhaps? But crucially I think the industry operates in a manner that specifically circumvents this mechanism nowadays.
its a post-phallic sound, a decentred assault, a raging amniosis...
Or maybe impotence?
Or maybe impotence?
Its showerface music- impressive physicality, but without the kind of heady transcendence of rock, or the rapturous trance-bliss of the dance. Fundamentally about a kind of stasis, spiritual in the sense of being outside of time perhaps, but what makes these genres so interesting is the negative transcendence.
Asides from the Burial remix it is all a bit bland/authentic/bluesy ready-made music for Jools Holland kinda vibe, or am I being a tad unfair?
no no, that's how I heard it too. although blackdown is loving on it...
Thing is I really love dubstep, noise and drone-metal when they ROCK!
Well, they do and they don't. To rock implies some reference to sexual release, but there isn't really any release in dubstep (no drum based ecstasy, just more pulverising bass) or drone-metal (just more feedback)--- I guess Corrupted do kind-of-rock, but it is spread out over 40 mins, it loses the dynamics of rock and ends up in a celebration of boundless power, almost a "Triumph of the will" in music (or is that just from reading those Kino-fist articles whilst listening to snagre/humanos at massive body-eliminating volume...?)
dubstep is like an opiated surrender to physicality beyond movement or motion.