Benny Bunter
Well-known member
I love this lineshrink the confines down
so that i come back to this
I love this lineshrink the confines down
so that i come back to this
you could take this for a parody if you didn't know betterat all
anyway
whatever
even so
rubbish
at all
anyway
whatever
even so
rubbish
what a softie, is the hypothalamus not part of the brain thenI like this one a lot,
Smaller than the Radius of the Planet
There is a patch like ice in the sky this
evening & the wind tacks about, we are
both stopped/fingered by it. I lay out my
unrest like white lines on the slope, so that
something out of broken sleep will land
there. Look up, a vale of sorrow opened by
eyes anywhere above us, the child spread out
in his memory of darkness. And so, then, the
magnetic influence of Venus sweeps its
shiver into the heart/brain or hypothalamus,
we are still here, I look steadily at nothing.
"The gradient of the decrease may be de-
termined by the spread in intrinsic lumin-
osities"—the ethereal language of love in
brilliant suspense between us and the
hesitant arc. Yet I need it too and keep
one hand in my pocket & one in yours,
waiting for the first snow of the year.
i've just looked it up and it is.what a softie, is the hypothalamus not part of the brain then
i think it might of talked about it in my world famous guide to being a poetHome/return is a big thing in poetry, isn't it? Which is why the Odyssey keeps coming up when you read about all this stuff - Pound, Olson etc, and it's obviously central to Prynne's early stuff too
I don't know, I think there's a lot more on the level of relatable meaning you can extract from KP/WS, which he then more or less completely jettisons with Brass, but I haven't really read Brass properly yet. It is obviously really really good thoughBrass is infinitely better than white stones and kitchen poems, neither of which i really love. sometimes i think i hate them.
loves his nose-bag, PrynneI like this one a lot,
Smaller than the Radius of the Planet
I lay out my
unrest like white lines on the slope
i think its an illusion that theres any meaning in those ones.I don't know, I think there's a lot more on the level of relatable meaning you can extract from KP/WS, which he then more or less completely jettisons with Brass, bjt I haven't really read Brass properly yet. It is obviously really really good though
If you mean kitchen and white stones, then I disagree strongly. Nothings very clear though and there are all these oppositions,as we were talking about earlieri think its an illusion that theres any meaning in those ones.
It's where the heart/brain or hypothalamus is.Home/return is a big thing in poetry, isn't it? Which is why the Odyssey keeps coming up when you read about all this stuff - Pound, Olson etc, and it's obviously central to Prynne's early stuff too