Side note: Some favorites include Oneohtrix and Tim Hecker, and my last listen to NTS provided me with the insight that one thing that sets them apart in the experience of listening to them is the degree of either embracing or rejecting the use of traditional sounds/instrumentation. Oneohtrix (especially later releases) keeps the listener grounded to the familiar with the use of more traditional and human elements (Electric Guitars, Stringed orchestral sounds, samples invoking radio spots). Tim Hecker goes a bit further into the abstract by keeping recognizable sound sources obscure or choosing non-traditional sounds (distorted organ, more archaic flutes in Konoyo). There is still some semblance of humanity in the sound selection though he allows his listeners to creep closer to the sublime by pushing those elements to the background and emphasizing emotional resonance by placing users in an abstract and unfamiliar place, where one may be more prone to clutching on to the familiarity of one’s own feelings. There is certainly sound sculpting to explore but I feel somewhat rooted in a familiar space (via emotionally familiar rises and falls) guided by Tim. There is a trust in Tim, and he does a great job of taking you to the highs.
Autechre is further out there. With Autechre I am an observer in a strange world. While they certainly can direct my emotional response with their music, NTS 4 mostly elicited a sense of fascination, occasional anxiety, and curiosity not by directing me, but by putting me in a novel and completely foreign, near physical space. There aren’t many sounds employed that ground me to anything familiar and I don’t feel they are “pushing an emotion” on the listener, rather they are letting the listener explore on their own. It’s a completely different experience but currently my obsession at the moment.