luka
Well-known member
Groupname for Grapejuice
Things have become so inverted, so convoluted, that the far right, in troll/hipster drag and rebranded as the alt-right/alt-lite (-light), now promotes itself as the counterculture. A counterculture is very different than a mere sub-culture. The latter is simply a group of people distinguished by fashion or belief or background or lifestyle who live more or less in tolerated co-existence with the dominant culture.
The counterculture, on the other hand, exists to oppose and even overturn the dominant culture. Sub-cultures, because of their fringe or marginalized status, may eventually join the counterculture, but in general they are more or less content to stay on the margins without seeking revolutionary change.
The alt-right argument is essentially that the counterculture of the 1960s, which was in every respect liberal, has (since when exactly?) become the dominant culture. It is now conservatives and people on the right in general who are the cultural revolutionaries.
"The dominant culture, the argument goes, has become so liberal, so politically correct, so intolerant of traditional values, so globalized, that it is only the right that offers any sort of genuine alternative. It is now the right -- and more accurately the hardcore far right -- that is truly different, that is edgy, that is new, that is hip. Everything else is awash in and captured by identity politics; paradoxically puritanical and utterly degenerate, riddled rotten with hypocrisy.
But while there is some legitimacy in its critique of the dominant “liberal” culture, and this needs to be examined closely, it is entirely inaccurate to call the alt-right a counterculture. The alt-right argument goes very wrong, and misleadingly so, with its first premise. This, intentionally or not, consists of a mistaken view of the original 1960s counterculture.
An authentic counterculture (regardless of inevitable Agency infiltration and misdirection within it) did emerge in the 1960s; and it can be called authentic not because it was liberal, but because it was anti-war, anti-corporate, anti-imperialist, anti-police state and opposed to anything that would seek to place bounds on the limits of consciousness. And in fact it was largely directed against an Establishment that fashioned itself as being liberal.
This counterculture -- despite going on to immensely influence popular culture and bring about clear reforms -- largely failed in its main objectives. Corporate capitalism, war, imperialism, the dulling of consciousness, imbalances and inequalities of all sorts, have continued and have greatly outpaced anything present in the 1960s. Only the image of the 1960s counterculture succeeded, and this only because it was so effectively co-opted and exploited by capitalism."