Perryβs mission at the Black Ark was to ruralise reggae, removed from Kingstonβs urban edginess; and with these deeply spiritual Rastafarian singers he had the perfect focus for his musical creations. On Fisherman, Children Crying and La La Bam-Bam, he takes things so deep into the islandβs interior you need a machete to hack through. Thick, blurring layers of drum and bass soften into each other, while the guitar cascades down like creepers, giving the plaintive singing the support it needs to keep moving.