I just have this thing about DJs skipping across in to genres they don't really know in depth and drawing for obvious stuff, not contextualising it properly and ingnoring the treasures on their own hard drives or record collections. Cooly G isn't even a particularly bad example and fair play, she is allowed to play what she wants. The worst example I have ever heard is DJ Pete, who I saw play possibly the best ever set of Basic Channel/Scion Versions axis techno I've ever heard in a strip club on Hackney Road (no joke), turning up at Plastic People two years later playing nothing but year-old Benga and Skream tunes to a rapidly diminishing crowd.
Yeah for sure, as with nearly everything there are pluses and minuses to the approach. On the one hand, the fact that they're not closely familiar with the whole genre might lead them to playing a lot of really obvious, overexposed tunes, without fully realising how obvious they are, just because they're the first things that are brought to their attention when they start investigating. But on the other hand, the fact that they're fresh to the music and not bogged down by any received ideas of what's cool, what's an accepted way to do things etc that a long-term insider might have means that they might actually pick up on unusual or neglected tunes, or combine tunes in a way that wouldn't usually be done but turns out to work.
I think it's important to have some kind of axis that guides your selection, otherwise especially with something as vast as house music you're likely to get lost in this sea of music, past and present. With funky, the choice for selection seems to be to do with looking for this particular sort of beat pattern, and this gives some kind of coherence to what tunes people will pick up on outside of the strictly UKF stuff.
I also think that as far as the whole topic of obvious tunes, whilst part of what I really value in a good dj is the ability to expose me to new or obscure music, I do also think there's def a place for anthems; some tunes just deserve to be big, and if they're good enough they can withstand a decent ammount of play before they get tiring. In some situations, audience familiarity with a tune can help boost the vibe, the sense of 'hey, this is our music', y'know? And the flipside would be that it ultimately help much that a dj has exclusive access to a tune months ahead of everyone else, or has the only known remaining copy of an old tune, if the tune is actually rubbish..
In other news, why am I up and posting so early? :slanted:
