Fuck all the bands mentioned on this thread so far, you all need to skip 3:00 into this vid to hear some truly mindblowing shit:
Personally, I think both the first Suicide LPs are incredible - I couldn't give a toss who else likes them, or 'for what reason', but they're both gloriously dark in their own ways. The first one's more blatantly in your face, the second's like some Vegas snake oil merchant preening you and getting under your skin, and then exposing the trash. Haven't heard anything after these two tho. Prefer the first one, but then I heard it before I ever went on the internet.
Regarding 'scenes', I'd argue the current 'international Oi! scene' is more elitist and redundant than Italo Disco. I think Mgmt are shit and boring, the Black Devil reissue was OK but overrated, but stuff like Gay Cat Park, Naif Orchestra, Charlie, Mike Mareen, Mr Master, Casco and Gekko are timeless. I'd love to go to some Italo Disco events in London, to be honest. I went to an 80s Groove one a few months ago and it was tops.
What an ugly derailment that was. It is threads like this that make me sick of listening to music for weeks. Especially when it started on such a good note: Dissensians saying they don't mind a bit of MGMT. You don't often see that on here.
Fuck all the bands mentioned on this thread so far, you all need to skip 3:00 into this vid to hear some truly mindblowing shit:
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Is this Charlie you speak of the one who did "Spacerwoman"? That song is pretty great, I'd like to hear remixes of that if they exist.
Eh, everything's patched up in the end, plus that Rod Poole's pretty wicked, so thank you Zhao.
I'm at a point where if I want to like an MGMT song because it sounds good, I don't care if that's not "cool"...not in the slightest...maybe there was a day when I would have, but that day is done.
i thought the whole black devil disco thing was a charade...not old "rescued tapes"....? am i wrong or right?
it wasn't just me i have to say, the contact was made with the owners rather than the artists, you kn ow anything could have happened to them and they probaby wouldn't own the track anyway, could be writing under pseudonomys as they were etc, so we found the publishers in italy, it took a while. Contact with bernard fevre, ( the track was him and a guy called jackie giordiano not just fevre) was made later when the publishers passed on the email to him. both guys are library guys:yo mms
well done for tracking them down! out of curiosity how hard was it to find mr fevre? and did the initial interest kick start more creativity or were they still producing behind the scenes?
ha interesting! i've often wondered what pains labels have to go through to get such licenses. so just to be clear are you saying the original bddc record was released as a library record or was it just released to a regular publisher?
of course i'm aware that fevre is a library dude having seen this comp
which seems to be one of the easiest fevre library records to find.
here is another famous one:
most important one is the champ i guess, which was all the kpm guys trying not to get caught