That doesn't invalidate my point. a lot of Ghettotech is misogynistic as point of fact (not moral judgment) in the same way that a lot of dancehall is/was homophobic as point of fact. But music doesn't conform to the dictates of political callout culture, which you and tea are trying to spring on me, in which case you'd have to accuse your friend of internalised misogyny, which you obviously are not going to do.
It's a good point, but i do think there is some nuance/cartoonish exaggeration to the way the music of Assault and the like approach their own brand of misogyny that is somewhat lacking in most of the homophobia in dancehall. I also do think that all of us do need to probably catch up a bit to how misogynistic a lot of our attitudes are as well, i'm not saying i am some gold standard of modern thinking.
Someone calling you out for your attitude shouldn't result in some desperate attempt to claim everyone else is just as bad as you, or worse than you, just take your L and stop bleating on about white knighting, callout culture, "learn to take some banter" etc
I know which side i'm on, yes. Scotland has a fetishistic (again not moral, just as point of fact) relationship with detroit from a point of remove.
This is definitely true, yes. I think by the time you leave the central belt it is mostly just the sound of the music, or the memories of hearing them being played on visits to the Subbie or whatever that stick with people though.