Triggered by word of a Toop-treatise on this one 1968 elpee
The Wire have an extract of this up now.
In an exclusive extract from his new book, Two-Headed Doctor: Listening For Ghosts In Dr John’s Gris-Gris , David Toop follows anthropologist turned writer Zora Neale Hurston into the New Orleans of the late 1920s to sample the beliefs, tall tales and magical workings that comprise the...
www.thewire.co.uk
- A mask is not necessarily a physical object. Some masks are too powerful to be worn; some artefacts disguise the voice in various ways, by distortion, buzzing, muffling, but the transformed voice of a hidden person is the mask, not the physical device. A voice mask can also be produced by a sound that is not a voice. “The appearance of African masks, above all the face mask,” Hugo Zemp wrote in his notes to the Ocora LP,
Masques Dan: Côte D’Ivoire, “is well known all over the world thanks to collections and books on African art; but their voices are much less familiar. The voice is, nevertheless, an essential part of the performance when the mask appears. True, mute masks exist; but there are others which are exclusively sound masks, ie they assume no visual disguise.”
One for
@sus' voice thread too.
Terribly embarrassing but when lit profs talked about "voice" I never made the connection to the literal throat and tongue, it was always prose style in my head, silent read-it-to-yourself, more like tics and personality than intonation. And then listening to Pound read I realized he does this...
www.dissensus.com