If indie pop evolved more in this direction I might like it much more. Pure serotonin firing rackety digital soul.
Post about what you like, for real, but other people might chose to highlight things you're not interested in, or take the conversation in a different direction. I'm not saying "anyone who listens to Joanna Newson is a racist" - would be tough for me, as I actually owned Ys for a bit (still might do), I'm just saying I know I bought it because of all the praise heaped on it in the music press of the time and that's a product of indie-ish stuff having that cultural hegemony.... and that's connected with whiteness.I'm very serious. I won't meddle anymore. It's not my place. The board is your space, and I'm a guest.
x post sorry.seems like the term indie has been pretty much debased by this point in the thread where folk music like Ys that's not indie at all comes under the same umbrella as all kinds of total shit. saint etienne likewise are not an indie band or sound in the slightest. the strokes or whatever shit 00s band you want to name are not indie either. although they are shit. they're new wave revival. in this thread indie means white
If you're talking about music then the Laws of The Playground still holdI liked your chart, Woops. Suspended, Luke was a being an arse in that thread as well. It's not just you. He's an equal opportunities online bully.
How many other people on this board put that kinda effort into arguing the merits of the things they care about
WYH's Top 100 springs to mind.
Yeah. No one had to shimmy up on top of a tower block to broadcast Joanna Newson.I wanted to come back to this. Even if the hegemony formally ended in 2008, the thing that Danny is talking about is it was given serious critical consideration prior to that. Our music never was, only retroactively, once the social energies powering it had been dissipated. and actually, you can even see this in people who subscribed to the continuum (see K-Punks comments on the has hip hop been aesthetically brutalised thread) just complete dismissal under the guise of a faux-modernism. It's ironic then that K-Punk didn't like Newsom. When did pitchfork start to really talk about rap? 2009-2010, when its main culture had died out. But instead of being honest and admitting they fucked up, they'll pretend they were always into it. So it's like for us, well if you're not going to value our music as having artistic merit, then we don't want to be part of your art circus. And this is where I think you got unstuck last night when you were like this is not a subculture. Because it was valued beyond subculture, black pop or black dance forms never really are.
seems like the term indie has been pretty much debased by this point in the thread where folk music like Ys that's not indie at all comes under the same umbrella as all kinds of total shit. saint etienne likewise are not an indie band or sound in the slightest. the strokes or whatever shit 00s band you want to name are not indie either. although they are shit. they're new wave revival. in this thread indie means white
another rousing post, suffice to say that the debate on authenticity has been had to death here and even moreso elsewhere and never reached any kind of conclusion. and i don't expect it to this time either. i think, though, or like to think, that if i post some music here it's because it sounds good and not as some broadside in a culture war.I understand that, or I understand it better now after you explaining it to me, and it makes sense. I think the sweeping generalization about black music not being allowed to transcend being pigeonholed as subculture is pushing it—speaking for America, black music has dominated the charts since the midcentury, and I can list hundreds of albums by black artists that are taken Very, Very Seriously as art, from Coltrane to Kanye.
Yes there will always be Karens screaming about profanity in rap. And I get the frustration of seeing one art form struggle while NME celebrates mediocrity. (Though remember, people who love, say, Animal Collective and Xiu Xiu and Dirty Projectors also think NME cover bands are trash.)
And I get DannyL's comment about seeing race in the economic machine that pushes for someone like Newsom. I mean, there's a lot more, we have talked about her family upthread, her blood is basically Cali Mafia. But hip-hop sells several orders of magnitude more than Joanna Fucking Newsom—just because fucking grime never mainstreamed doesn't mean the white people get this special ticket to record sales. Just look up the wealthiest musicians, they're almost all black, dude. That's not to say there isn't racism in the system; it's to say that the situation isnt like the cut and dry picture of privilege you present. The marginalization complex you're stirring up is too hysterical to be accurate or nuanced.
But the bigger point is I don't like listening to music, or experiencing art, as an extension of race or class warfare. Which is how it often feels here, cf Woops' comments on the board's use of "indie" as a descriptor for "white." (Which would be a bit more understandable if the board werent basically all white, but actually black music nerds give more a shit about white indie than y'all do.)
The point is, I think y'all are wasting your life seeing art through an antagonistic perspective. You could just as easily become obsessed with how Scandinavian music producers groped Kesha, and how terribly misogynistic the industry is. Imagine not being able to enjoy a movie because it was funded by Harvey Weinstein. The dude was evil and the dude gave money to a movie that he thought would make him money. That's it. Can we enjoy Samuel Jackson's performance in Pulp Fiction now, of is it hopelessly tainted?
I'm an ape on a spinning marble trying to feel something beautiful before the universe collapses into entropy. That's what it's always been, even for the "dirt poor kid in a black neighborhood" y'all are fetishing, who listens to grime or reggaeton or whatever. They didn't listen to music as fucking activism, they listened to it as life force. Privilege and inequality are real, and worth pushing up against. But at the end of the day, we are all equally doomed and insignificant, we all have narrow windows of experience before we become dust. And spending your time enacting race war over a some harp music—why? Solidarity is the only humane response among the doomed. If I found an angle by which to argue that Newsom was a disadvantaged underdog, would you finally fuck with Ys? And is it me missing the point here, or you?
The indie purist strikes back! Hands off my Sarah records!