What strawman! You're desperate to tear into it, I can sense it!
It's true it's the same soundworld, broadly speaking, as a lot of the big selling 'urban' pop of the last few years.
But when it works, it works. Drifty Enya vocals. Autotune. Atmospherics. Reverb. It's a format but it's not a bad one.
Yeah we've discussed this countless timesI mean you could say the same about post-dubstep.
It's exactly the same as post dubstep. That's why I posted the kpunk essay on the thread. But it's got stuff abut guns and killing which ultimately makes it much better than post dubstep.
Well that's reassuring.Cecil Rhodes would agree.
Well that's reassuring.
I actually hate good music too. I agree. It's repulsive. But that is why I've cancelled music. Because almost everything is good now. I've got no use for anything good.
I think what tips the 'good' as you describe it into 'great' for me is that I can associate this music with a specific world that I've inhabited ie going to the white hotel or seeing Dean blunt live countless times. I listen to certain songs and get excited cos it reminds me of certain things.Funnily enough my problem with barty's music is the same problem as Catalog's music, even though they inhabit diametric soundworlds. Both posters tastes have an inbuilt inability to really push beyond the haze, so all their music is good not great.
I think what tips the 'good' as you describe it into 'great' for me is that I can associate this music with a specific world that I've inhabited ie going to the white hotel or seeing Dean blunt live countless times. I listen to certain songs and get excited cos it reminds me of certain things.
I mean what else would ever make you think anything is great?