Nah, not me, I loved it.
Best film I've seen for ages is another Fassbinder one - The American Soldier. Fantastic kind of pseudo-noir - I don't know why I say pseudo, maybe it's just because Fassbinder's films are always slightly skewed from the norm so none of his films are actual genre films, it's not a parody, it's just not quite a noir even though it has all the elements except for maybe a femme fatale. Another difference would be the way that most of the characters in your average pulp film are fast-talking wiseguys whereas in this almost everyone appears to be in a daze (or hypnotised). An obvious comparison would be Alphaville (Fassbinder used the actor who played Lemmy Caution in one of his other films playing himself) but I enjoyed this a lot more.
The film's plot such as it is follows a hitman who has returned to Germany from the US and who is working for some dodgy cops to kill witnesses who have outlived their usefulness - he stands out as cold and blank in a film full of cold and blank people. There is a brief and bizarre subplot in which a person who is seemingly his brother harbours an unrequited sexual love for him although goes unexplained and uninvestigated - as do the reasons for the victims' deaths and pretty much everything else. But that's not really the point of course.
There are many references to other films (a character called Murnau, a story that is told which apparently Fassbinder later made into Fear Eats The Soul) but these don't feel like flashy Tarantino-esque flourishes, they just seem to add some kind of extra dimension.
The strangely dissociated scene where the main character visits his family must have been an influence on David Lynch as must the singing scene in a bar and, especially, the amazing final scene, one of the most powerfully weird I've seen..... ever in fact.
SPOILER
This is the final scene so you may not want to watch it, however it doesn't give away any of the plot as such and I think it's worth seeing in its own right if you're not planning to watch the movie - plus it might make you change your mind.
I love that music, Fassbinder has a joint writing credit on that as well as directing the film and being the guy with the moustache that you see getting gunned down. Clever chap.