“Any [NYC] scenes going on, there’s no real centre to them,” he argues. “There’s no great artistic export. Like, say what you want about downtown in the early-2000s, but goddamn, those first few Strokes albums! Say what you want about the Brooklyn moment in Williamsburg, you could roast it to hell and back, but Jesus fucking Christ, some of that music is just absolutely timeless. [Dimes Square] still falls under this thing where it’s like, well, what’s the export? What’s the book, what’s the band? The toxic podcast can’t be the genius cultural export.”
Antonoff finds the cynicism of said toxic podcast – Red Scare, a show hosted by Anna Khachiyan and Dasha Nekrasova that has been associated, by some critics, with the “new right” – to be “boring on a level that can’t even be described. Because you just know where it ends, every single time, and where it ends is not in the centre of the circle. It’s not at the heart of things. And there’s no such thing as cynical music.”